Last Updated on April 18, 2021
Are you that guy who is looking for the Cheapest Canon L Lens? If yes then you came at the right place, because in today’s guide I will discuss some best and the cheapest lens to buy for your L series Canon DSLR.
Lenses of the Canon L series are considered among the best lenses available. The quality of the lens is so highly prized, adapting them to use on other cameras like Sony is not uncommon.
Lenses provide users with one of the most immediately noticeable ways to improve the quality of their footage.
A red ring around their focusing ring demarcates the lenses of the L Series. They are made to resist weather, dust, and water, making them outdoor photography compatible.
They feature super optics and glass elements of high quality that minimize distortion, aberration, and other negative optical characteristics.
For photographers, L series lenses are a great choice and also an ideal choice for videographers to shoot footage using their Canon cameras.
Cheapest Canon L lens To Buy
Below are some best and cheaper lenses for the L series in canon which you should check. Read the review of every product so you can understand better and choose the right thing for yourself.
So, let’s have a look at the best cheapest Canon L lens.
Canon EF 100mm f/2.8L
It may be a prime, one-trick pony, but this 100 mm f2.8L is undeniably glorious for amazing macro and portrait shots and can buy the best Canon L lens money for some.
Compared to other zoom lenses, it is relatively lightweight, has fantastic colour and contrast, and is praised for its clean sharpness. There are a few minor downsides, including infinite-focused wonky and a little one-noted look.
Still, this lens is a great and reasonably affordable addition to a stable lens if it fits your needs and style.
Canon has considered this and included a focus distance limiter with three options: 0.3 m to 0.5 m, 0.5 to infinity, and Full.
Focus speed is significantly increased when using one of the three focus limiters. In a macro lens, the bokeh’s quality is paramount, and fortunately, the lens can create an excellent foreground/background blur.
The “hybrid” image stabilization unit used in its design is a unique element of the design of the Canon EF 100 mm f/2.8L IS USM lens. While conventional image stabilization units only compensate for angular camera motion, Hybrid Image Stabilization also offsets shift-based movement.
- Best Macro Focus and Portrait Lens
- Sharpness is fantastic when you use the macro Focus
- It is very light in weight when compared to other similar lenses
- The Colour and Contrast is amazing
- No image stabilization
- Some users had problems focusing on infinity
- Large weight
- One user identified the focal length and features
- One user had a problem with the autofocus jumpy
- For top of the macro, some people preferred a longer lens
Canon Ef24-105Mm F/4L is Ii USM
This lens has exactly one deficiency on the slow side, f4.0 is a little bit. This lens is one of the best possible values for any in the L series beyond this minor issue.
It boasts a wide range, which means one can approach the action or at an acceptable wide angle. It is sharp decently. Images and videos look fantastic.
For video shooters, this is a particularly standard lens as its fixed aperture makes zoom shots easy to execute (and keep your lighting consistent).
Although for stills shooters, it’s not the cream of the cream, it’s a very versatile and practical lens that can do the job for anyone.
In addition to the refined optics, this 24-105 mm f/4 also sports a USM ring-type and internal focusing mechanism to enable fast, quiet, and precise autofocus performance as well as full-time manual focus override.
Also used is a four-stop-efficient Image Stabilizer to minimize the camera shake appearance for sharper handheld shooting.
This lens is also weather-sealed and has a protective fluorine coating on the exposed elements to be used in severe environmental conditions.
- Flexible zoom range
- Crisp optics and stabilization of the image (three stops)
- Quick and Silent Autofocus ultrasonic motor
- A one-year warranty for moisture and dust resistant
- The full stoppage is slower than f2.8; f4 is not fast
- Slightly heavy at 1.5 lbs
Canon EF 16–35mm f/2.8L III USM Lens
Characterized by a refurbished optical design, Canon’s EF 16-35 mm f/2.8L III USM is a wide-angle zoom workhorse and a member of the well-respected lens series.
This lens uses a trio of aspheric elements and two ultra-low dispersion glass elements to control a variety of aberrations for high sharpness and clarity, featuring a series of specialized components. To reduce lens flare and ghosting for increased contrast and colour accuracy, both SWC and ASC coatings were also applied to the elements.
For quick and full shots, this lens is excellent. It’s great for landscapes, real estate, and similarly full photography, boasting superior optics and a solidly fast f2.8 aperture. Users love autofocus sharpness and accuracy.
It has all the trappings of other lenses of the L-series, but some weaknesses exist. Some users find it on the soft side at this focal length. It’s not great the corners.
When wide open on full-frame, there is some vignetting. None of these is dealbreakers, but they do underline this lens ‘ particular odds.
This lens is excellent for a specific type of user, but it is for someone who adds to a kit or needs only wide shots that emphasizes expansiveness rather than clarity.
- USM engine for silent auto-focus
- Sharp, minimal sharpness in the corners
- A versatile, fast lens
- Excellent quality wide open
- Quick at f2.8
- 82mm filters – can be pricey
- Not sufficiently reach the walk-around lens
- Some vignetting open on the whole picture
Canon EF 17-40mm f/4L USM Ultra Wide Angle
It may be the cheapest lens on the market in the L series, but it lives up to the name for the range, practicality, and optics.
What is not to love? Boasting Poppin’s colours with excellent contrast, superb build quality, and a superior f4 velocity? Well, the worst thing you can say about this lens is that it has no stability in the picture.
Still, this isn’t the biggest deal at a maximum focal length of 40 mm.
The 17-40 mm L distortion is typical of a sophisticated ultra-wide zoom, which implies that if you look through a microscope, it is complicated and hard to correct entirely.
This is because it can subtly bend them in several ways at once instead of curving lines into smooth curves.
It can, of course, struggle in low light. However, beyond this, the lens has a brief minimum focusing distance of.9 feet, meaning that macro shots are within the sphere of potential. Beating is not the lens of the l series, but it is the bunch’s bargain.
The 17-40 mmf/4 and 16-35 mm f/2.8 work great on the 1.6x sensor cameras (Rebel, 30D, 20D), but the 18-55 mm EF-S lens is lighter and more flexible for those cameras, for one-sixth of the cost.
None of these on a 1.6x camera is broad. Even on a 1.6x camera, this 17-40 mm covers only a range similar to what a 27-65 mm lens would be on a 35 mm film camera.
You have a natural choice for these 1.6x cameras: get the 10-22 mm EF-S, which on those cameras covers the same range as a 16-35 mm lens cover on full-frame cameras.
- Near focal length of 9 feet
- Great for photography of nature, marriage, and countryside
- Big contrast colours pop
- Tack sharp
- Praised as solid and dependable
- No image stabilization
- When the lens was wide open, the quality was poor.
- One user has found that 28-135 mm is of similar quality
Canon EF 24-70mm F/2.8L II USM Standard Zoom
The EF 24-70 mm f/2.8L II USM is a Canon L series zoom frequently referred to as a lens workhorse and covers a common and versatile variety of focal lengths. This is also differentiated by its constant maximum f/2.8 aperture, ranging from wide-angle to portrait-length, to benefit working under hard lighting circumstances and enhance control of field depth.
The lens is also distinguished by its advanced optical design, which involves one Super UD element and two UD components, reducing colour fringing and chromatic aberrations to achieve a high degree of precision and clarity in colour.
Three aspherical components minimize distortion and spherical aberrations for better sharpness.
Although it may not have the enormous zoom capacity of 70-200 mm, the 24-70 mm f2.8 provides users with excellent sharpness and high velocity to the medium lens.
This lens is commended for the incredibly high quality of the pictures, yet it is still formidably flexible. 24 mm is wide-angle, and 70 photographs are reasonable.
Some would describe this lens as the type of glass “if one were stuck on an island with one lens.”
- This would be the one if you had to select just one lens; versatile and outstanding. Almost everything can be done well
- Fantastic image quality
- Fast autofocus
- Users enjoy the colour quality, sharpness of the corner and quick concentrate
- Very heavy
- Some people find a frustrating medium distance of 70 mm
These are some Cheapest Canon L lens which you can buy and use regularly. You should read the reviews of every lens, and then you can easily choose what suits you better.
I would recommend you to go with the Canon EF 24-70mm f/2.8L II USM Standard Zoom Lens because it has fast autofocus. This means if you are doing animal photography it provides you with the best result.
It may feel heavier but the performance is very excellent and it is versatile and an outstanding lens.
The image quality is also best if we consider any other Cheapest Canon L lens. If you are interested in it then you can buy it from the above-provided link.