Last Updated on January 30, 2022
Are you looking to search for the Best Wildlife Lens For Nikon D7200 then here is the perfect guide for you. In this guide, I will cover the best lens for this D7200 model which you should buy.
The Nikon D7200 is one of the best-advanced DSLR cameras with the right lenses, ideal for photography of all kinds
It has a 24-megapixel DX sensor, 6 frames per second burst mode, 102,400 pixel ISO sensitivity, and a Full HD video. He can do it all. The image quality, however, relies far more on the goals than on the camera.
Top 5 Best Wildlife Lens For Nikon D7200
Here are some suggestions which you need to read before purchasing. All the lenses are extremely good and budget-friendly so read the review carefully and choose the lens wisely:
1. Nikon AF-S FX NIKKOR 500mm f/4E FL ED
You can never have too much focal length to shoot birds. The Nikon 500 mm f/4E FL ED VR is slightly cheaper than the above 400 mm, but this is because the maximum size of the aperture is 1 stop smaller, even if you get 100 mm more.
The image quality is fantastic, with top-notch autofocus speed and accuracy, and the lens actually weighs 2 pounds less than its previous version, putting it at 109 oz (3090 g).
Something you can certainly use for a long time without a monopod, but it helps to understand that you’re going to have to carry 2 pounds less.
You can expect the finest possible components from these costly lenses. The 500 mm features 3 ED components, 2 Fluorine components as well as Nano Crystal and Fluorine coating.
You have Vibration Reduction, SWM and 9 diaphragm blades for fast focusing. Its closest focusing distance is 11.9 ft. (3.6 m), but you will still be shooting objects farther away.
If you’re not sure you’re in possession of a 500 mm prime, you might first get a zoom (Nikon 200-500 mm or Sigma 150-600 mm) and see how you like it.
Of course, the prime provides you with a large benefit in terms of image quality, aperture size and focus velocity, but you have to carry more weight and have no zoom, not to mention a 7x greater price tag.
2. Nikon AF-S FX NIKKOR 300MM f/4E
Your cheapest option is the Nikon 300 mmf/4 ED VR II if you want a high quality, affordable 300 mm premium. But, despite having less reach, it is more expensive than the Nikon 200-500 mm or Sigma 150-600 mm.
What you’re paying for here is the quicker AF, quality of the picture, and more compact design. It weighs 26.6 oz (755 g), nearly 3 times lighter than the 150-600 mm Sigma.
The length makes it good for larger pets, but for most bird photographers it may be too brief. It will “turn” on DX cameras into a 450 mm that is actually acceptable to many birds, but on FX cameras it won’t be as long.
You can always enhance your abilities and attempt to get as near as possible, regardless of which lens you use, which is what we advise to you!
You’ll love the lens if you know that 300 mm is more than you need, and you’re all right with f/4. Indoors, every now and then you’ll have to raise the ISO, but f/4 is more than perfect for outdoor shots. Handheld photography is much easier here than with most other lenses, and up to 4.5 stops are helped by the Vibration Reduction.
3. Nikon AF-S FX NIKKOR 600mm
It’s more about how much weight and size you’re prepared to take to shoot birds at this stage. The 600 mm comes in at 134.4 oz (3,810 g) if you think the 500 mm above is already too heavy.
Most wildlife photographers will always want more reach, but as we stated earlier, at some stage you merely have to acknowledge the lens ‘ cost and size and work on your photography abilities (like getting closer) instead of purchasing more and more.
However, if you really know that 600 mm is the bare minimum for photography of your bird, location and style of work, get the 600 mm by all means. It’s costly, but it’s worth it.
You can also use it to get even closer with a teleconverter, not to mention that on DX cameras it becomes a 900 mm lens. Using a max. Aperture f/4, quick autofocus blazing and excellent picture quality, it’s a beast.
Put it like this. Most people who need the 600 mm already understand and understand what they need, or have a lot of experience with other telephoto lenses. If you are one of those, we suggest that you look at cheaper zooms or use other teleconverter premiums.
4. Nikon AF-S DX NIKKOR 55-300mm f/4.5
Check out the Nikon 55-300 mm f/4.5-5.6 G if you know you’re mostly going to shoot outdoors and don’t want to spend too much.
It costs more than the 55-200 mm but offers better quality, focus and more reach of 100 mm. Since this is a DX lens only, it means that it will actually be the equivalent of an 82-450 mm lens installed on a DX camera.
Because of 9 diaphragm blades compared to “just” 7 on the 55-200 mm, Bokeh looks nice and also focuses faster and quieter.
However, both lenses will often hunt in low light, so be prepared from moment to time to do some manual focusing. This is rarely a problem outdoors. Build quality has also enhanced and feels much less expensive/plastic, but the lens weighs more in exchange.
5. Nikon AF-S FX NIKKOR 200-400mm f/4G
It’s not as long as the Nikon 200-500 mm, but it has a maximum aperture of 1 stop larger that is very handy for wildlife early in the morning or in low light.
That’s one of the reasons it costs nearly 4x as much as 200-500 mm. Speaking of the building, in 17 groups you have 24 components.
There are 4 Extra-Low Dispersion components, Nano Crystal Coating for glare reduction and Silent Wave Motor for fast and precise autofocusing.
You can expect to get the best there is for about $6000. The length and aperture make it an ideal option for any kind of action; sports, races, wildlife, aircraft, etc. If you’re using a DX camera, it’s even more awesome as it’s equivalent to a 300-600 mm lens.
Before we begin to the Lens guide let’s first discuss the camera:
The Nikon D7200 has some strengths and weaknesses as a wildlife camera body. Among its strengths are:
- Great quality of the picture. Nikon sensor, lots of pixels, comparatively quick processing, very complete and flexible control of how pictures are captured by the camera.
- Ergonomics that meet a wildlife shooter’s requirements. It is possible to learn and handle the arrangement of most important tasks and changes rapidly.
- Power to shoot RAW. This is the native/full information file format that allows you to regulate the pixel information in your pictures to the maximum. It is the best starting point for editing images of wildlife.
- Lots of nice lenses. The 7200 can handle virtually any lens in the Nikon arsenal, and the real key to high-quality wildlife images is the quality of LENS.
There are some weak points of this camera which are described as below:
- The frame rate is relatively slow and the buffer tiny. Wildlife shooters LOVE to obtain fast bursts of wildlife pictures, with the possibility that at least one frame will be all correct. When shooting in burst mode, the D7200 is comparatively slow, and perhaps more importantly, it can only capture 6–8 frames at a moment before the camera’s memory buffer is filled.
- Limited functions of autofocus. The amount and arrangement of autofocus points across the field of perspective are restricted. Wildlife shooters want as many focal points as possible and want to spread these points across the frame as widely as possible. Autofocus velocity is also critical, and since the first 7200 appeared, this is one thing that has improved in designs.
- Longevity in the field. Wildlife shooters subject their equipment to some of the world’s toughest settings, from bitter cold to searing heat; blazing sun to driving rain. The camera equipment used in the field tends to jostle, bump, bang around, whether it’s on safari or in the backyard chasing a bunny. While well-built, the D7200 is not close to professional cameras in terms of materials, building, weather seals, etc.
You have an excellent camera to use for wildlife photography with all that has been said, and it will offer you every chance to learn all you need to know about shooting wildlife.
Things Remind Before Buy Wildlife Lens For Nikon D7200
These are some suggestions which you should take care of before buying any lens.
Choosing the Right Focal-Length
You’re going to want to start with 400 mm for birds. For larger pets, anything less is fine, but birds are so tiny that in most cases you will have to get near and use a lengthy telephoto lens.
In general, for wildlife photography, 300 mm is the minimum, and while you could use something broader, this is how we have chosen the lenses in this manual.
You need to multiply the focal length by 1.5x if you own a DX camera to get the real field of perspective. DX cameras are the best choice to get as near as possible because of the crop factor.
For example, you can get a lighter, cheaper, and smaller 400 mm lens that acts as a 600 mm lens rather than purchasing a 600 mm lens.
Size of Aperture
Usually telephoto zooms end around f/5.6, more costly telephoto primes have f/4 apertures, while f/2.8 is the most costly and largest characteristic.
All 3 dimensions are completely fine for wildlife photography, particularly when it comes to elevated ISO shooting with how nice fresh DSLRs are.
Both f/2.8 and f/4 are great for shooting in all kinds of circumstances, but with f/5.6 you’ll have to increase a lot of ISO speed if not shooting on a bright sunny day.
Either a 1.4x or a 2x teleconverter can be used. The former slows down by 1 f-stop your maximum aperture, while the latter slows down by 2 stops.
Autofocus velocity and image quality tend to get worse when using teleconverters and the more you stack together, the more variations you will notice (particularly in ghosting and aberration).
For example, a 1.4x teleconverter mounted 400 mm f/4 lens turns into a beast of 640 mm f/5.6. A maximum aperture of f/5.6 will focus on each Nikon DSLR, but that 400 mm f/4 would turn into an 800 mmf/8 when using the 2x teleconverter.
Only a tiny amount of Nikon’s can concentrate auto atf/8 and with cheaper DSLRs, you will need to depend on your manual abilities.
Autofocus in Lens
Animals are constantly on the go, and you still need a lens that can get focus rapidly and precisely even when they are still there.
They also need to monitor the topic as best they can, enabling you to take a ton of shots to filter out the focused ones.
The more costly Nikon lenses give incredible precision, velocity and efficiency in autofocus. They are often used in low light and outdoor circumstances by sports and action photographers.
Make sure you get a lens with SWM (or Sigma HSM) technology as those engine kinds are the fastest and almost silent.