Last Updated on January 30, 2022
Choosing the Best Travel Lens For Nikon D7200 is a very difficult task. Because there are hundreds of lens available on the local market or at the e-commerce website like Amazon, Flipkart, etc
. This is why I am going to review the guide that looks at the Nikon D7200 camera’s finest lenses. This is the top DX-line in DSLRs for Nikon after all so it deserves some severe attention.
You have the strong 24.2MP CMOS sensor to assist capture the most incredibly sharp pictures. The build quality and strong efficiency make this an optimal camera for photography of all types.
The Nikon D7200 is the option of many lovers who would like to move up from their DSLR entrance level. It provides outstanding outcomes in HD video as well as stills for the semi-pro with the correct glasses.
For this guide, I selected six notable pieces of glass. These are lenses that make the most of the accurate metering and photographer skills of Nikon’s D7200. Not all of them are optics for Nikon either.
Top portrait lens, best normal zoom, macro, and wide-angle zoom are included in the categories. There is also an outstanding conventional prime lens for the final two, as well as a very competent telephoto zoom.
6 Best Travel Lens For Nikon D7200
Here are some top 6 best travel lenses for Nikon D7200 which you should choose. Read the review about them so you can easily get what you are looking for.
Sigma 17-50mm f/2.8 EX DC OS HSM FLD Large Aperture
A standard zoom is a useful piece of glass that can be carried, but it is not the most popular. In many camera bags, there are other lenses that take precedence, so I didn’t go high-end in this category.
I chose the Nikon D7200 Sigma 17-50 mm f/2.8 as it reviewed many boxes. One box was the attractive price, well below the cost of a 17-55 mm f/2.8 G IF-ED Zoom Nikon AF-S DX.
It’s not in the same class as its competitor to Nikon, but it’s a very nice compromise. The lens covers a good focal range from a wide-angle of 17 mm.
It also maintains its f2.8 aperture across the zoom spectrum. At the price, I couldn’t find much to grip on. It operates well as a multifunctional lens, but for portraits and landscape shooting it comes into its own. It’s a bit heavy, but 7 oz still. Inferior to the NIKKOR.
The Sigma 17-50mm f/2.8 EX DC OS HSM FLD sells well, and the price certainly helps with that. But, savvy photographers are only attracted to cheaper lenses if they deliver.
This one does. There are plenty of people who take the time to write their thoughts about this lens. Most consider it a great all-around product with wide-ranging capabilities.
More praise is heaped on the overall image quality, build, and nice blurred background effects. It’s also a lens that photographers like to use for uploading photos for their reviews.
That’s always a good sign. The biggest criticism I came across in the reviews was the autofocus. Some complained about how it hunts in lower light situations. Another gripe was how the focus ring moves, with AF making it awkward to grip.
The last point is something of a general ‘tanky’ design flaw. The vast majority of photographers who buy this lens are more than happy with their purchase, though.
At least those with realistic expectations tend to be.
Tokina T5142001 at-X 14/2.0 Pro DX Lens
Two things caught my eye with the Tokina 11-16 mm f/2.8 for the first time. The first was the inexpensive price, and the second was the strong construction.
It really just feels in your hand like a quality item. Once again, the downside of using better materials is the additional weight. At 19 oz, for a lens in its class, this puppy is quite heavy.
On the Nikon D7200, it looks okay, but the weight steals a little from the ergonomics.
Ultra-wide lenses have some attraction and every day, shooting does not work well. Smaller hands on the bulky side may also discover this one.
However, in the scope of things, any negatives of this lens has been minor. The image quality is on with fairly good corner-to-corner sharpness.
There are also nice colours and contrast. It’s a fantastic lens for urban and rural landscapes, YouTube vlogging, and street photography.
If you need an ultra-wide-angle zoom lens like this, weighing up the cost with what the lens provides makes it a surefire winner.
The 11-16 mm Tokina has a lot of nice stuff to do and an appealing cost. Many knowledgeable photographers will not discover you complaining about the sharpness, not even at wider apertures.
The fresh multi-layer coating helps minimize ghosting and flare. It’s not the best surrounding coating, but a definite enhancement on Tokina’s previous efforts.
A manual auto-slip ring is available–a good touch but it requires a little time to get used to it. Not everyone is a pull-back action supporter, but I discovered it to be very efficient.
Without a doubt, this is a great value and a wide-angle zoom lens capable of cash. And with the 3-year warranty from Tokina, it comes out of the water the contest.
Nikon AF-P DX NIKKOR 70-300mm f/4.5-6.3G ED VR Lens
This is an affordable zoom lens for Nikon photos. Especially in its 70-200 mm range, it has an amazing sharpness. It’s not the 70-200 mm f/2.8E FL ED VR Nikon AF-S NIKKOR, so I won’t dare to compare it.
At 26 ounces, considering its lengthy focal range, it is a lightweight piece of glass. This is helped by the all-plastic barrel. The Nikon AF-S 70-200 mm weighs 50 ounces to bring this into view.
For passionate amateurs, I chose this lens as a nice budget alternative. It may not be unique, but it is acceptable for sure. No one with realistic expectations will be disappointed by this lens.
It’s not either the best-looking lens–but it’s practical. A large, comfortable zoom ring is available, and zooming is uniformly spaced. I discovered that the AF was quick and precise and that the manual focus was smooth.
The Vibration Reduction (VRII) is a welcome function in this budget-friendly lens which minimizes camera shake. The autofocus is quick and it’s easy to use the manual focus button.
If this were the first telephoto zoom I had ever owned, I would be a happy camper. If I hadn’t had the privilege of reviewing many more expensive alternatives, I wouldn’t even notice the plasticky feel and loud VR.
This is probably the sharpest telephoto zoom in its price category, at least in the range of 70-200 mm.
Those who disagree are those who unfairly compare the lens with much more expensive options. The bokeh impact is creamy and at the same time as expensive optics.
The Internal Focus (IF) system, extra-low dispersion glass components, and5-year warranty are a few other highlights worth noting.
Nikon AF-S VR Micro-NIKKOR 105mm f/2.8G IF-ED Lens
This is also a 105 mm NIKKOR telephoto the ideal focal length for outdoor portraits and wedding shoots. The AF operates at 1:1 (life-size) from infinity.
When doing an extreme close-up job, most do not use AF. Besides the elevated optical quality that is expected from a contemporary Nikon lens, there’s a lot more to like about here.
The decrease of vibration (VR) is particularly welcome for reduced light spontaneous handheld shots.
The rubber weather seal is another appeal to me. I’m spending more time outdoor than indoor shooting. The D7200 DSLR camera has weather sealing, so I also prefer some lens protection (with few lenses).
What we’ve got here is a high-quality, medium-sized Nikon telephoto macro lens for keeping. The image quality is outstanding. The construction is solid yet comfortable in the hand, and it is noteworthy to implement VR.
There’s so much she should have her own page about this lens. Since these are no-nonsense mini-reviews, beginning with the supreme pro-level image quality, I will stick to the highlights.
As a tack, it’s sharp as they say. What more, though, could a photographer expect from optics of Nikon quality? The creamy impact of bokeh is amazing with shots of macro, portrait, and action.
With its ED glass components and Nano-Crystal coat, Nikon has further improved the image quality. They function by reducing chromatic aberrations (CE) and lens flare.
According to Nikon, this is the first macro lens in the company to feature vibration reduction (VR) technology and a Silent Wave Motor (SWM). For modern-day photographers, these are both valued characteristics.
Nikon AF-S DX NIKKOR 35mm f/1.8G lens
This lens was extremely popular and is still selling well. I kept the 35 mm f/1.8 G Nikon AF-S DX NIKKOR installed for three days on the D7200 without altering it.
Some shutterbugs are boring with conventional prime lenses, but I disagree. If you know the capabilities and limitations of a lens, the sky is the limit. Perfect for landscapes, portraits, and shooting at night.
The cost is also inexpensive as it is a NIKKOR product. And the quality of construction is about as great as an all-plastic shell. For newbies and experts alike, I would say it’s an ideal option.
For low-light photography, the quick f1.8 aperture is fantastic. It also allows you to generate those amazing out-of-focus backgrounds that naturally attract your eyes to the point of sharp focus.
This is a light, unassuming, high-quality glass piece on the Nikon D7200 DSLR camera that looks and feels at home. The general image sharpness is razor-sharp, and the colours are lovely and the contrast is nice.
At f1.8 there is a slight loss in the quality of the corner. It’s going to get out quickly, though, once you begin to stop.
The lens is not completely free of chromatic aberration (CE). Most of this occurs at wider openings and especially in low-light conditions.
Not everyone is picking up on it, so it’s not a big drawback. Its plasticky building receives a few moans, but excellent quality is the plastics used in its building. Also, plastics help keep the lens as light as it is.
Nikon 50mm f/1.4G AF-S NIKKOR Lens
For many photographers, this is the perfect all-purpose lens. It’s the one to stay mounted, just in case, on the Nikon D7200.
The focus is always precise and the pictures are always sharp. I thought for a while of testing the much cheaper f1.8 but decided against it. If you shoot or plan to shoot on a regular basis at this particular focal length, the f/1.4 G is a no-brainer.
The additional price for a walk-around lens like this over the f1.8 variant is worth every single penny. And while the building feels a little plasticity, it is still a solid structure that will last for many years.
The peak aperture of f1.4 maybe just 2/3 of a stop difference from F1.8, but it does make a big difference. The bokeh improved and the sharpness stopped-down talk for themselves.
The autofocus is silent, but not the fastest. A quiet focus is a nice touch in general, but if you don’t want to disturb close-up topics, it’s even more essential.
Think of puppies asleep. This isn’t the cheapest lens, but it’s also not in the high price bracket. The cost for a 50 mm prime lens appears to be high at first glance, but I believe all things considered are worth every penny.
Every Lens has it’s own capability some are good in low light while some can capture photos in Portrait mode. Some could be useful while you capture moving objects or even some of them are used to capture nature.
In this article, you will find all the Best Travel Lens For Nikon D7200 which you can buy. So, please make sure to read the full review to know what you are actually going to buy.
This is where they make mistake so when they order anything online they face many issues like matching, portrait low-light and so on.