Best MFT Lenses For Video (Buyer’s Guide 2022)


Last Updated on January 30, 2022

If you are the one who is looking for the Best MFT Lenses for Video shooting? If yes, then you came at the right place because in today’s guide we will review some best Micro Four Third Lenses which you should buy.

As we open the online store or go to any local store around your city. You will find thousands of options and this will confuse you a lot.

In case if you are a newbie then this will be even hard for you to choose a perfect lens for your DSLR camera. These days, most camera companies seem to believe that’ full-frame is the way to get the best quality and versatility.

Anyone who has spent time walking around with a clunky full-fat DSLR and 24-70 mm f/2.8 lens hanging around their neck knows that this kind of camera outfit can really weigh you down.

MFT (Micro Four Thirds) mirrorless system cameras and comparatively tiny, lightweight glasses allow you to take off a load literally.

The benefits are two-fold when it comes to reducing the physical size of lenses. First, the lens-produced image circle only needs to be a fraction of the size of a full-frame lens, so that the optical elements can be made with a relatively small diameter. Second, for any specified type of lens, the real focal length is halved.

 Top 5 Best MFT Lenses For Video

Here is the list of some best MFT Lenses for Video recording which you can choose. Every lens has it’s own benefits so make sure to read the review carefully to avoid making bad decisions.



This is a nice one if you can purchase just one lens for your GH5 (or GH4). It’s an indigenous mount, so it’s compact for the whole package.

Plus, it benefits from the magical dual stabilization of Panasonic combining lens stabilization with the in-body stabilization of the camera. The focal range works up to about 24-70 mm with the crop factor.

This is just about perfect for taking large shots and then zooming in to catch up-close some drama.

This lens provides the same performance and versatility as a 24-70 mm f/2.8 pro-grade lens on a full-frame camera body, but it comes in a much more compact, lightweight package, typically for an MFT lens. Indeed, at 305 g, the weight of a similar full-frame lens is only about one fifth. Best Canon Lens For Group Portraits

Nevertheless, in terms of building quality, the lens is not lightweight, with a solid and weather-sealed building. Throughout the zoom range, centre sharpness is outstanding, even when shooting wide-open at f/2.8, and corner sharpness also becomes remarkable at f/4 and smaller openings. It is the perfect lens with the bonus of efficient optical stability for everyday shooting.


  • Lightweight & weather-resistant
  • Fast f/2.8 aperture with stabilization


  • A corner-sharpness bit lacking at f/2.8
  • Expensive to buy

2. Olympus M.Zuiko Digital ED 60mm F2.8 Macro Lens



The Olympus M.Zuiko Digital ED 60 mm f/2.8 Macro lens is placed at a good price point combining a compact, lightweight design with excellent optical efficiency. Camera owners interested in macro photography should certainly add this lens to their wish list.

For extreme close-up’ macro’ photography, a focal length of about 100 mm is often preferred. Due to the shorter focal length of this lens, the minimum focal length drops from approximately 30 cm to 20 cm.

These distances are measured from the focal plane, however, which corresponds to the image sensor position at the camera’s back.

With the more compact construction of MFT cameras and lenses, the actual working distance between the lens front and the subject remains fully usable at approximately 10 cm.

Another bonus is that the MFT format’s 2x crop factor efficiently boosts the peak factor of magnification from 1:1 to 2:1, or a double life.

A credit to Olympus ‘ line-up of’ Premium’ lenses is the outstanding quality of the weather-sealed building, and the intelligent focus distance/magnification indicator is a bonus.

Overall, the image quality is fantastic, and the focus ring’ fly-by-wire’ electronically coupled works smoothly and it is the Best MFT Lenses For Video.

It’s good for concentrating on macro, where you often want to concentrate manually. All things considered, this is undoubtedly the finest MFT system macro lens on the market.

In reality, even if you are not interested in macro photography, the quality this lens provides and its cost also make it a great choice for fans of portraiture on a comparative budget.


  • Excellent focusing precision
  • Focus distance indicator
  • Budget-Friendly


  • Relatively short focal length
  • Lens hood sold separately

3. Panasonic Lumix G X Vario 35-100mm F2.8



If you are looking for a compact telephoto lens, the Panasonic Lumix G Vario 35-100 mm f/4.0-5.6 Asph Mega O.I.S. should certainly be added to their list of considerations The perfect addition to the Panasonic 12-35 mm f/2.8 lens, this one is equivalent to the other full-frame stalwart zoom for pro-photographers-the 70-200 mm f/2.8 telephoto.

Optically it performs better than the reasonable price tag suggests it should and is compact enough when travelling in a camera bag to be barely noticeable.

Sharpness levels are excellent and over most of the zoom range, chromatic aberrations are quite well controlled. Falloff of illumination towards the corners is quite typical of this type of lens, and the petal-shaped hood does an excellent job of shielding the lens from outside light, which can cause flare problems.

This lens ‘ popular’ effective’ zoom range is delivered from a high-grade, weather-sealed construction that is robust and robust, yet only about one-third of the equivalent full-frame optics weight.

As with the Panasonic 12-35 mm f/2.8, you need to stop to f/4 before corner sharpness really gets into its footsteps, but overall sharpness levels and other attributes of image quality are outstanding.


  • Compact and lightweight
  • Good telephoto reach


  • Corner-sharpness could be better
  • The quality doesn’t come cheap




For impressive, more creative images, this bright, large-aperture F1.7 lens draws maximum light to produce a beautiful bokeh background defocus effect. This lens is more than ideal for clear, detailed and expressive portraits together with a 42.5 mm mid-telephoto focal length (85 mm equivalent camera 35 mm).

This lens is pretty sharp even broad open, but generally stop a lot, maybe up to 2.2, to get the fuzzy background impact but with a lot more field depth to create sure all eyes are focused.

The other excellent thing about this lens is that it can be used with a minimum focus range of afoot as a pseudo-macro.

The flip side is that the MFT scheme struggles to offer a really narrow field depth compared to full-frame and even APS-C schemes because the field depth is more strongly connected to’ real’ rather than’ efficient’ focal length.

This lens battles back with a super-fast f/1.2 aperture score, which helps to decrease field depth and blur the smooth, creamy background in portraiture, as well as allowing quick shutter rates even under dark illumination.

There is a little fault with this lens as sharpness from peak aperture is exceptional. Falloff, distortion, and fringing are all well controlled as well, and the optical stabilization it provides will be appreciated by Panasonic camera holders.

The Panasonic LUMIX G 42.5 mmf/1.7 ASPH is outstanding in construction performance. It’s also lightweight, a plus point at all times.


  • Relatively shallow depth of field
  • Great handling, with stabilization


  • Relatively expensive
  • No depth of field scale

5. Olympus M.ZUIKO 25mm f/1.8



This diminutive lens feels right at home on even the most compact MFT format body, measuring just 58 x 42 mm and tipping the scales at just 137 g. Like the 17 mm Olympus we favour for street photography, this one is accessible in silver or black colour and the cap is marketed individually

Of course, MFT cameras ‘ 2x crop factor provides this lens with an effective 50 mm focal length, providing a classic’ normal’ viewing angle with a relatively quick f/1.8 aperture rating.

In all ways, image quality is amazing. The Olympus does not look great value considering the prices of Canon and Nikon 50 mm f/1.8 lenses for full-frame cameras. However, the cost tag is fully justified by its results.

The 25 mm f/1.8 Olympus M.ZUIKO Digital is not a macro lens with a minimum focusing distance of 25 cm and a peak magnification of 0.12x. Manual concentrating in a focus-by-wire fashion is feasible, although at either end of the spectrum there are no difficult ends.

This should not hold you off using it as it feels quite natural in use and simply allows the camera to automatically show a magnified perspective of the topic or use focus when present on the camera body.

The image quality offered by the Olympus M.Zuiko 25 mm f/1.8 ED is outstanding, with sharpness from full aperture being particularly great at the centre of the picture.

It’s well built, lightweight and reasonably compact, so when carrying it in a camera bag, it’s not that noticeable, but some might consider the price a sticking point for what is essentially a 50 mm f/1.8 equal. Chromatic aberrations are monitored well, as illumination, distortion and flare failures are also monitored.


  • Classic standard viewing angle
  • Compact and lightweight


  • Pricey for a ‘standard’ f/1.8 lens
  • Less robust than some MFT lenses

Final Words

These are some Best MFT Lenses For Video recording which you can buy from Amazon directly. All these lenses are very good by having their own features some of them are weather-resistant.

While some of them having a fast auto-focus which you may not find in any other lens. So, choose wisely and take note of things which you need in a Lens and then you can get a good decision.


Hey There, I'm Rashid, I love writing reviews about lens and camera because I am a professional photographer since 2016 and I know very well which camera and lens you should use.

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