Last Updated on April 18, 2021
Are you searching for the Best Lens For Travel Photography Nikon? Great you came to the right place because in today’s guide we will discuss on that topic.
As you know that the Nikon is one of the world’s oldest and most respected camera producers. This business has been manufacturing photographic equipment for over 100 years that is used and loved by all kinds of individuals.
Nikon equipment is used by professional photographers, reporters, lovers, and everyday folk alike; the business has been so effective because of their mutual love for Nikon.
Nikon is renowned for its camera sensors, one of the most sophisticated camera bodies on the market today. That said, without a lens, a sensor is nothing.
Nikon consumers should be as worried about their choice of travel lenses as they are about their camera body, which is what we will be talking about today.
5 Best Lens For Travel Photography Nikon
Here is the list of some best lens for travel which you can buy to capture stunning photos. Read the review of every product so you don’t make any mistake during selecting the best one for you.
Our pick for the best Nikon travel lens is the Nikkor 24-120 mmf/4 ED VR! Thanks in part to its strong optical efficiency, efficient vibration reduction, and relative lightweight, this iteration of the classic “do-everything travel zoom” is a worthy piece of machinery.
The 24-120 mm is one of the best options for those who travel the world and need something powerful and portable.
Due to its useful focal range, the Nikon Nikkor 24-120 mmf/4 G ED VR is attractive. This lens is capable of capturing all kinds of subjects at 24-120 mm and will appeal to many photographers kinds.
Landscape photographers will appreciate the relatively wide 24 mm angle while at the telephoto end portrait photographers will receive some fairly strong headshots.
Optically, the Nikon Nikkor performs very well 24-120 mm f/4. Images are extremely sharp from the widest aperture, especially in the centre. The edges are slightly smooth but dramatically enhance when the lens is stopped.
At both ends of the focal range, vignetting and distortion are noticeable, but fortunately, these issues can be readily resolved in post-processing. The bokeh created by the 24-120 mm is not the best, and it is too busy or chaotic for many photographers.
To be honest, it is to be expected that the Nikon Nikkor 24-120 mm f/4 G ED VR will suffer. Travel zooms such as this are usually prone to optical imperfections, but these tradeoffs are almost always acceptable due to the usefulness of the focal range of the lens.
The 24-120 mm f/4 Nikon Nikkor is produced of high-quality plastics. While these plastics are quite durable, they are not resistant to weather.
Those who frequently expose their lenses to elements may be concerned with the roughness or lack of it of the Nikon 24-120 mm.
This is another lens I enjoy, and it’s the latest Nikon lens I purchased. I wished something I could combine with my Nikon D750 for travelling, but the more I used it, the more it became the lens I own the most used.
I shot a lot of professional photo sessions with the Nikon 35 mm f/1.8 G ED and can’t extremely suggest it to the Nikon FX DSLR owner who is going to listen!
When considering the image quality, the entire Nikon f/1.8 G lens range (28, 50 and 85 mm) provides incredible value for money.
These amazing lenses are ideal if you’re looking to invest in some inexpensive (or backup) wedding photography equipment. Because of its versatility, the focal length of 35 mm is a favourite for all types of photographers–broad enough to say a tale, but equally suitable for a portrait.
35 mm is approximately 52 mm on a DX Nikon DSLR–a versatile focal length and a favourite among many street photographers.
Invest in the Nikon 35 mm f/1.8 G ED for your cropped sensor Nikon DSLR (the field of view would be about 50 mm) and if you ever decide to upgrade to the full-frame, you will hit the running surface.
In brief, stellar picture quality, amazing sharpness and creamy bokeh Auto-focus is quick and smooth, and the size/weight is perfect – it’s just a fun lens to use!
The Sigma 17-50 mm f/2.8 EX DC OS, like its 18-300 mm cousin, is a well-performing piece of machinery produced unignorable by its low price.
You can own a fixed opening medium zoom lens which works admirably for only $300!!!!). It’s no wonder, given this amazing deal, that we think the 17-50 mm f/2.8 Sigma is the best budget lens for consumers of Nikon DX.
The excellent performance of the Sigma 17-50 mm f/2.8 EX DC OS HSM. Overall, sharpness is very nice although when the lens is used broad open, the edges may be a little smoother.
Vignetting is also present at wider openings, but both are well controlled by chromatic aberrations and distortion.
Stabilization of the image is built into the 17-50 mm f/2.8 Sigma and operates as it should. The Sigma 17-50 mm f/2.8 EX DC OS HSM is a stud in low light circumstances combined with a quick aperture.
This setup is particularly appreciated by filmmakers when they try to film in dim interiors or dusky streets.
The 17-50 mm f/2.8 EX DC OS HSM from Sigma is a general lightweight lens, more like many other zooms from Nikon.
This is because of its all-plastic building, which is good for weight reduction but makes the lens a bit more fragile. The Sigma Sigma 17-50 mm f/2.8 EX DC OS HSM’s focus ring feels a bit finickier than normal and can sometimes be hard to use.
The AF-P DX NIKKOR 10-20 mm f/4.5-5.6 G VR is one of the finest lenses for Nikon shooters who like wide angles for the cost you pay! The Nikon 10-20 mm f/4.5-5.6, although somewhat unimpressive on paper, provides great image quality, packability, and even vibration reduction, which is a bit of treat given that this lens is $300!
The Nikon 10-20 mm is doing fairly well in resolution. Throughout the zoom spectrum, centre sharpness is fantastic as the corners catch up once the lens is stopped. 15 mm appears to be the sweet spot as well as 10 mm and 20 mm are both admirably sharp and very sharp.
In the Nikon 10-20 mm f/4.5-5.6 G, vignetting and distortion are all present, but not more than anticipated from a wide-angle zoom. Chromatic aberrations with this lens are the most evident optical blemish and will need to be resolved in post-processing.
The Nikon 10-20 mm f/4.5-5.6 vibration decrease and auto-focusing systems both perform very well.
The autofocus is fast, precise, and almost silent. The VR does a great job making up less than inspiring aperture for the Nikon 10-20 mm f/4.5-5.6 G and promises up to 3.5 compensation stops.
Besides the price, one of Nikon’s best 10-20 mm f/4.5-5.6 G characteristics is its size. This pint-sized lens is tiny enough to fit into a pocket. The capacity to do this is difficult to turn down for those travelling light.
Another winning lens is provided by Rokinon! With excellent image quality, fast aperture, and a low price tag, Rokinon 16 mm f/2.0 is one of Nikon astrophotographers ‘ best travel lenses as long as they don’t mind manually concentrating.
The Rokinon 16 mm f/2.0 performs more than admirably, like the Rokinon 16 mm f/1.8 reviewed before. At all apertures, the centre resolution is outstanding and the whole frame is tack-sharp by f/5.6. In this lens, CA, vignetting and distortion are all well controlled and present only in mild quantities.
There are no electronic components in the 16 mm f/2.0, which implies there is no auto-focus, as is common with Rokinon lenses.
Users will need to concentrate this lens manually as they used to do in the good old days. It’s not so bad to manually concentrate.
Landscape photographers will hardly miss autofocus as their topics do not move all that quickly. Photographers won’t sweat it as they generally just leave the lens set to infinity to catch those stars.
The 16 mm f/2.0 Rokinon is produced of high-quality plastics with a strong metal mount. Those who are afraid to buy plastic lenses should feel good about the 16 mm f/2.0 Rokinon because it feels very robust.
Ultra-wide angle lenses are generally very expensive with quick apertures. For just about $300, you can get the Rokinon 16 mm f/2.0 which should be a compelling price. Of course, you don’t have autofocus, but who still requires it?
These are some Best Lens For Travel Photography Nikon which you can choose from the above guide. Read the features of every lens so this will help you in deciding the useful lens for your camera. Best Lens For Travel Photography Nikon
Every optic has it’s own features and has its pros and cons as well. So, I am only here to tell you about these lenses but choosing the correct one is your responsibility.
So, before choosing any lens for your Nikon camera make sure to read the review twice. In this way, you can understand even better as compared to reading once or just ignoring things.