Last Updated on January 30, 2022
Are you also looking for the best lens for full body portraits? If yes then you came to the right place because in today’s guide we will discuss some best lens which you should buy for the body portraits.
Finding the best lens according to your need is a very difficult task because you need to take care of many things. Even though you find many other options if you are buying through an online store which makes it even more difficult to choose the right one. When you search for the best lens on amazon you will find thousands of results there.
So, to simplify this I have collected some best 5 lenses which you should choose to make your portrait photography professional. Read the reviews about every product and then choose wisely which suits on your camera and fulfils your requirements.
Top 5 Best Lens For Full Body Portraits
Here are some suggestions which you should consider and choose a lens according to your needs
1. Canon EF 50mm f/1.2L Len
This lens is the ultimate portrait lens. It has very high optical quality, lovely bokeh, and a good weight and shape, making shooting with it a pleasure.
It features a Super Spectra coating to suppress flare and ghosting as well as being weather-secured for secure shooting outdoors. It can be combined with sensor cameras for both full-frame and crop-frame.
This is a prime of “ordinary duration,” meaning that its field of perspective feels “natural” and approximates–basically
how it sees the human eye. For this reason, a 50 mm lens is an optimal starting point for photography, offering you the liberty to learn structure and style using a kind of “universal starting point” for imagery. This lens is a favourite among portrait and street photographers in specific.
2. Canon EF 24-70mm f/2.8L II USM
One of the most versatile available is the 24-70 mm zoom range. That’s why it’s a great choice for shooters who just don’t know what to get.
You’ll probably end up loving the Canon 24-70 mm f/2.8L II like so many others already have. It’s our most popular lens together with the 70-200 mm.
For everyday candidates it is as strong as it is for a specialized job, including landscapes, activities, portraits, and still life. A high-speed CPU with optimized AF algorithms guarantees a quick and silent AF, which also makes it a great option for vloggers and videographers.
This lens is extremely portable and simple to manage for the coverage it provides. For novices and experienced shooters alike, it’s an excellent option.
3. Canon EF 85mm f/1.2L II USM Lens
The Canon EF 85 mm f/1.2L II is of very high quality with a very quick peak aperture ideal for small depth-of-field portraiture and still life work.
It features a Super Spectra coating to suppress flare and ghosting as well as being weather-secured for secure shooting outdoors.
It can be coupled with sensor cameras for both full-frame and crop-frame. This lens promotes Power AF and it may not be a useful option for hybrid shooters to adjust focus on this lens while the video is rolling. It’s also on the bigger side at almost 3 lbs.
Check out the 85 mm f/1.4 Art lens from Sigma, which is accessible in both Canon EF and Nikon F mount. The quick, quiet AF is great for video shooting, and a unique Super Multi-Coating enables greater contrast and fidelity to colour.
With a quick peak aperture of f/1.4, this lens is well suited for lovely out-of-focus portrait backgrounds as well as natural and low-light shooting–although not as fast as the f/1.2L variant of the Canon.
Canon also has its own version f/1.4L that cancels the Power AF function and involves the stabilization of images.
4. Canon EF 35mm f/1.4L II USM Lens
The initial Canon 35 mm f/1.4L is a favourite lens for group portraits and activities and excels in low field depth and low light shooting.
This new version is built with Blue Spectrum Refractive Optics, which refracts shorter visible spectrum wavelengths (blue light) to considerably decrease chromatic aberrations and colour fringing as well as enable better low-light outcomes.
It also features a slightly better minimum focusing distance for close-up topics and maximum magnification. Built specifically for the recent high-megapixel cameras with the quality and solving authority required, this lens will stay a common option for years to come.
5. Canon EF 70-200mm f/2.8L is III USM Lens
The Canon 70-200 mm f/2.8L IS II lens is perfect for wildlife and sport shooters, equipped with panning-friendly Image Stabilization modes and a Focus Range Limiter. But for portrait work, it is also one of Canon’s most famous L series lenses.
This lens ‘ subject-to-background range potential provides outstanding out-of-focus backgrounds to make your model and the environment beautifully separated–even in busy, distracting places.
For outdoor portraits, this makes the lens ideal. It is less appropriate for tiny studios due to its lengthy duration. Please visit the Canon EF 70-200 mm f/2.8L IS III lens for an updated variant of this lens with improved clarity and increased flare suppression.
When shooting backlit topics, the main benefit of the Mark III version is seen. Otherwise, the Mark II works just as well and remains one of all time’s top rentals.
Things to Take Care Before Purchasing Portrait Lens
Here are some things which you should consider before going to purchase any lens.
Zoom or Prime Lens
There are two main lens kinds: zooming and priming. Zoom lenses come in variable focal ranges (such as 24-70 mm, 70-200 mm, etc.), making it highly versatile for each lens.
Zoom lenses make taking a broad range of pictures simple for you without having to turn off your equipment. Prime lenses have fixed focal lengths (24 mm, 35 mm, 50 mm, etc.)
And often provide superior clarity and quality of the picture (but you pay for it without flexibility). They are typically lower and lighter to hold around than a zoom lens, but not always–some of the primary lenses are pretty beefy.
Many professional portrait photographers prefer premiums because they tend to have maximum openings quicker.
Amount of People in A Photo
If you plan to shoot larger groups of people, you’re likely going to want a larger lens capable of capturing more people in a frame, like a 35 mm.
However, it’s important to remember that wider lenses will cause more distortion–especially if you’re getting wider than 35 mm.
Do not use a super-wide lens if you don’t want the individuals on the outside edge of your picture to look bigger / more stretched towards the centre.
Remember, you can always move back to include more individuals in the frame if you’re shooting outdoors or in big areas.
You understand how sometimes the topic is focused on portrait photography and the background has a lovely blur? It’s called bokeh that blur.
The bigger the opening (and therefore the smaller the number off-stops), the more bokeh you get. Look for a lens that can shoot at a wider aperture like f/2.8, f/1.8, or even f/1.2 if that blur is crucial to you.
A bigger aperture will offer your pictures a shallower field depth and enable better output of low light.
Number of Lenses
You may want to search for zoom if you just want to hold around one lens. When it comes to focal lengths, zoom lenses will offer you many choices.
A 24-105 mm lens will allow you to capture different framing styles without ever swapping lenses or shifting positions.
You will have to perform multiple lenses if you plan to shoot primes and want to use different focal lengths. Many professional photographers have to constantly exchange prime lenses with two camera bodies attached with distinct focal length primes.
Space Available Where You are Doing Photography
If you’re going to shoot outdoors in broad fields, you have a lot of lens choices, but if your sessions are going to take place in a more limited setting, you’re going to want something broader.
If you have plenty of room to work, a 70-200 mm zoom or 85 mm prime lens will be fantastic but you’ll likely want a smaller focal length inside someone’s house. For most environments, 50 mm is a good standard length.
One of the first things to decide is what focal length is correct for your requirements. The best focal length for portrait photography depends on many things, including the space available where you will be shooting,
the number of people in the frame, how much of the surroundings you want to include, and how close you want to your subjects.
For portrait photography, focal lengths from 35 mm to 200 mm are prevalent, based on the photographer’s topic, style, and preferences.
Lens Size of Your Camera
When selecting a lens for portrait photography, a significant thing to remember is that the body you are shooting on will affect your lens’s efficient focal length.
In other words, a crop sensor camera will have the same lens acting longer than a full-frame camera. For example, you will be given an effective focal length of around 75 mm by a 50 mm lens on a crop sensor camera. If you decide how long you want your lens to be, keep this in mind.